Behringer SRC2000 Manual do Utilizador descarregar pdf (Página 14)

EURORACK MX1804X

No. Preset name No. Preset name

1 Cathedral 1 17 Echo

2 Cathedral 2 18 Short Gated Reverb

3 Medium Plate 19 Medium Gated Reverb

4 Bright Plate 20 Slow Chorus

5 Small Hall 21 Medium Chorus

6 Medium Hall 22 Fast Chorus

7 Room 23 Medium Flanger

8 Medium Studio 24 Bright Flanger

9 Large Studio 25 Delay & Reverb

10 Medium Concert 26 Chorus & Medium Reverb

11 Large Concert 27 Chorus & Large Reverb

12 Stage 28 Flanger & Medium Reverb

13 Vocal 29 Flanger & Large Reverb

14 Percussion 30 Radio Speaker

15 Short Delay 31 Distortion

16 Medium Delay 32 Magic Pitch

Tab. 2.1: Presets of the internal effects processor

Cathedral: Reverb program that generates long and dense reverberation, much like the natural reverb ambience

found in churches or cathedrals. Particularly suitable for solo instruments and voices.

Plate: The sound of early reverb plates. A classic reverb program for drums and solo voices.

Hall: Simulation of a small, highly reverberating hall. Use short reverb times (Small Hall) to process drum

instruments or medium reverb times (Medium Hall) to enhance wind instruments.

Room: You can clearly hear the walls of this room as they are reflecting the sound. A useful program for reverb

that isn’t directly noticable (rap, hip hop vocals) or to make dry recordings of instruments sound natural again.

Very all-round effect.

Studio: Middle to large rooms. Creates a natural and multipurpose sound.

Concert: You can choose between a small theater (Medium Concert) or large concert hall (Large Concert).

Stage: Wonderful reverb, for example, to provide keyboard pads or acoustic guitars with width and depth.

Designed for live applications and mixdown.

Vocal: Rich and dense reverb with middle reverb times giving solo voices their finishing touch.

Percussion: This dense reverb is characterized by pronounced early reflections which make it very suitable for

dynamic signals (drums, percussion, slap bass, etc.).

Delay: Here, the input signal is delayed with several feedbacks.

Echo: Much like the delay effect, echo repeats the input signal with decaying intensity. However, here the

echoes lose brilliance with each repetition, which simulates the trendy “vintage” effect produced by tape echo

units that were widely used in the pre-digital era.

Gated Reverb: Phil Collins’ song “In the air tonight” made this effect famous: a reverb is cut off abruptly after

a certain time.

Flanger: An LFO constantly modulates the effect signal’s pitch by a few cents up and down. Flanger effects

are primarily used for guitars, but there are also lots of other useful applications: voices, cymbals, bass,

remixes, etc.

Chorus: Though similar to the flanger, chorus uses a delay function instead of feedback. Combined with the

pitch shifting feature, the delay produces a very pleasant detune effect. Chorus effects are used so often and in

2. OPERATION

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